In Coralie Fargeat's new feminist horror movie The Substance, hazardous societal elegance standards are the true creatures. They (women objectification, the fingertip of "the outdated," the proliferation of a sector built on body modification) nourish a creature of a pattern that leads Demi Moore's fading television personality character Elisabeth https://djimon-hounsoufilms.nytechwiki.com/10018826/the_substance_2024